The suitcase as a symbol of travel, of departure and of change, but also of the desire to demolish that residual monumentalità still inbred in contemporary art.
New cognitive maps, new existential scenarios open up to us, intraworlds in which the body embraces metamorphosis, sensorial transmutations in which objects surrounding us and their principles of relation become inspiration and set off a spark for this perceptive change.
Each suitcase represents a story, a portion of knowledge, a part of the body, a feeling…
It is about a “pre-conceptual” comprehension, which obliges us reconsider the meaning itself of comprehension and recognition. Tying the complex of cognitive activities such as memory, perception and language.
It is not enough to just look; one must look with eyes that want to see and that believe what they see.