Chimica romantica - 1 - Stefano Russo

Chimica romantica - 1

by Celeste Pisenti and Stefano Russo

The designer Stefano Russo and Celeste Pisenti meet in May 2013 at the Planetarium of Milan during "The origin of Universe” lecture by Gabriele Gionti.
They speak the same language, share the love for research, experimentation, nature and evolution.
They understand the sense of Quality and Beauty through a cultural route between science and philosophy, history and future.
For that reason they decide to leave together for a trip, penetrating in the labyrinths of the chemical process that reveals the attraction between people or things.
That same “Romantic Chemistry” that has approached the career paths of Celeste Pisenti to fashion and Stefano Russo to the design, since both of them are inspired by the infinite desire of knowledge, without which man would not have sense to exist, dress, live, feed.
The fruit of this work are Costumes and Design Tools realted through photographs and videos set in the most suggestive palaces and gardens of Milan.








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Art&Projects

Perceptors: energetic conductors objects constantly in tension and in relation to other elements and the surrounding space. Objects which find the secret of integrity in equilibrium and in energetic transmission. Between archaic science and the future.

Stefano Russo

Existence is vibration. The interaction between the vibrations gives an integral version. Our reality is the one where nothing is separated but all is connected, constantly and everywhere, in space and in time.

Stefano Russo

You cannot conceive the many without the one.

Plato

The progressive development of man is vitally dependent on invention. It is the most important product of his creative brain. It’s ultimate purpose is the complete mastrey of mind over the material world, the harnessing of the forces of nature to human needs.

Nikola Tesla

Riflessi d’interno explores and analyzes the balancing point between the inner and outer dimension of the being. The outer world’s reflections which remain impressed in our eyes inspire inner considerations which we analyze and to which we constantly sub due. Reflections and considerations, outer movements and inner movements.