It is about a “pre-conceptual” comprehension, which obliges us reconsider the meaning itself of comprehension and recognition. Tying the complex of cognitive activities such as memory, perception and language.
Riflessi d’interno explores and analyzes the balancing point between the inner and outer dimension of the being. The outer world’s reflections which remain impressed in our eyes inspire inner considerations which we analyze and to which we constantly sub due. Reflections and considerations, outer movements and inner movements.
There is something in the brain which doesn’t distinguish the difference between us and others. Also the acknowledgement of emotions seems to lie on an ensenmble of neural circuits which, as different as they may seem, share that “mirror” characteristic already witnessed in the case of actions.
The progressive development of man is vitally dependent on invention. It is the most important product of his creative brain. It’s ultimate purpose is the complete mastrey of mind over the material world, the harnessing of the forces of nature to human needs.
The suitcase as a symbol of travel, of departure and of change, but also of the desire to demolish that residual monumentalità still inbred in contemporary art.