The suitcase as a symbol of travel, of departure and of change, but also of the desire to demolish that residual monumentalità still inbred in contemporary art.
It is about a “pre-conceptual” comprehension, which obliges us reconsider the meaning itself of comprehension and recognition. Tying the complex of cognitive activities such as memory, perception and language.
New cognitive maps, new existential scenarios open up to us, intraworlds in which the body embraces metamorphosis, sensorial transmutations in which objects surrounding us and their principles of relation become inspiration and set off a spark for this perceptive change.
Perceptors: energetic conductors objects constantly in tension and in relation to other elements and the surrounding space. Objects which find the secret of integrity in equilibrium and in energetic transmission. Between archaic science and the future.
There is something in the brain which doesn’t distinguish the difference between us and others. Also the acknowledgement of emotions seems to lie on an ensenmble of neural circuits which, as different as they may seem, share that “mirror” characteristic already witnessed in the case of actions.