<span class='grey'>23 7 3</span> 1 - Agape - Stefano Russo

23 7 3 1 - Agape

Terra Cotta, Iron
30 x 70 x 160 cm

The logical and natural conclusion of the analysis until now conducted throughout the relation between science and art is a return, a sort of restitution as usually occurs at the end of a path, even of our own life. Giving back what we’ve been given with the same selflessness, the same unconditioned generosity. As on a personal level, we become parents of our parents, or in a context of historical nemesis we understand that battles for progress and also technological progress have one only purpose: man.
Therefore, Agape is not only a feeling, but also a virtue, a spiritual state, a gift of God, a grace. The work assessed by Stefano Russo as a last call of this extraordinary insight involving perception, light and harmony is not unintendedly the human bust of an archaeological repertoire. A symbol summarizing the Jungian idea which depicts humans as the result of a collective unconscious and which John Donne described in his Meditation XVII: “No man is an island entire of itself; every man is a piece of the continent, a part of the main….”.








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Art&Projects

It is an act of knowledge which analyzes the path of the luminous frequencies in our neurological system.

New cognitive maps, new existential scenarios open up to us, intraworlds in which the body embraces metamorphosis, sensorial transmutations in which objects surrounding us and their principles of relation become inspiration and set off a spark for this perceptive change.

Stefano Russo

Existence is vibration. The interaction between the vibrations gives an integral version. Our reality is the one where nothing is separated but all is connected, constantly and everywhere, in space and in time.

Stefano Russo

It is about a “pre-conceptual” comprehension, which obliges us reconsider the meaning itself of comprehension and recognition. Tying the complex of cognitive activities such as memory, perception and language.

Stefano Russo

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