<span class='grey'>23 7 3</span> 1 - Agape - Stefano Russo

23 7 3 1 - Agape

Terra Cotta, Iron
30 x 70 x 160 cm

The logical and natural conclusion of the analysis until now conducted throughout the relation between science and art is a return, a sort of restitution as usually occurs at the end of a path, even of our own life. Giving back what we’ve been given with the same selflessness, the same unconditioned generosity. As on a personal level, we become parents of our parents, or in a context of historical nemesis we understand that battles for progress and also technological progress have one only purpose: man.
Therefore, Agape is not only a feeling, but also a virtue, a spiritual state, a gift of God, a grace. The work assessed by Stefano Russo as a last call of this extraordinary insight involving perception, light and harmony is not unintendedly the human bust of an archaeological repertoire. A symbol summarizing the Jungian idea which depicts humans as the result of a collective unconscious and which John Donne described in his Meditation XVII: “No man is an island entire of itself; every man is a piece of the continent, a part of the main….”.








Share



Art&Projects

Perfect correspondence between organs, geographical areas, constellations: three levels which sinchronically align in one unique point. The point of creation.

Stefano Russo

The suitcase as a symbol of travel, of departure and of change, but also of the desire to demolish that residual monumentalità still inbred in contemporary art.

It is an act of knowledge which analyzes the path of the luminous frequencies in our neurological system.

The inclination of the degrees by which the earth’s axis tilts in relation to the sun, the position of our heart with respect to our rib-cage. It also represents the lay-out of the eye’s medial axis and orbital axis.

You cannot conceive the many without the one.